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duration: 2 H 14 Min

abstract: Despite second thoughts about their relationship, a young woman (Jessie Buckley) takes a road trip with her new boyfriend (Jesse Plemons) to his family farm. Trapped at the farm during a snowstorm with Jake's mother (Toni Collette) and father (David Thewlis), the young woman begins to question the nature of everything she knew or understood about her boyfriend, herself, and the world. An exploration of regret, longing and the fragility of the human spirit, I'M THINKING OF ENDING THINGS is directed and written by Academy Award® winner Charlie Kaufman (Eternal Sunshine of the Spotless Mind). Inspired by Iain Reid's bestselling namesake novel

Drama, Thriller

Jessie Buckley, David Thewlis

Creator: Iain Reid

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Watch 我想結束這一切 2020 movie online free without signing up anything. Watch 我想結束這一切 2020 Movie Online Free Without Signing update. Watch 我想結束這一切 2020 Movie Online Free Without Signing upgrade.

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Watch 我想結束這一切 2020 Movie Online Free Without Signing ups. Watch 我想結束這一切 2020 Movie Online Free Without Signing up and listen. Watch 我想結束這一切 2020 Movie Online Free Without Signing upon. Watch 我想結束這一切 2020 Movie Online Free Without Signing upload. If this movie were a smell it'd be mildew jello; it's pungent but not pugnacious. This movie is a frenetic mumblecore with a dash of surrealistic enigma. Hearing the titular inner dialogue of Lucy (I'm thinking of ending things) evoked a sense of self-administered annihilation rather than a longing to break-up with a romantic partner (never do we really see Jake and Lucy be truly romantic- their interactions are more like two ping pong paddles trying to bounce a boulder. There's a sense of rot and decay, like mold, from the beginning, and as rot goes, the movie continues to rhapsodically wane throughout until an end comes. There's also a sense of specific decrepitude which is pushed forward very literally via quantum physics (funnily enough Lucy is studying quantum physics. Jake and Lucy seem like walking corpses who wax poetic. As the characters express themselves through platitudes, the audience feels less and less like they are real people but more like marionettes.
This movie is about time, loneliness, and repetition. The course of the characters is like a never-ending staircase or elevator where the sense of up or down, or forwards or backwards, is lost, like the pit of despair. The snow laden abyss that surrounds them very literally encompasses the loneliness the characters feel. The progression of the characters was like watching two tectonic plates crash and overlap, making a new alien landscape. This movie is seemingly also about identity and denial: Jake's struggle to find and accept himself, maybe even his own sexuality. Jake seems to live his life through the eyes of others, like a very lonely wannabe bard, and maybe Lucy is his fantasized doppelgänger or salvation. Jake is an outcast, almost like he's a burden to society or he has manifested himself as so, and Lucy is his tool to be involved in life.
This movie is like a moving American Goth, if it had been painted by Caravaggio. There's nothing outwardly vicious but there is a grotesqueness in it's stylistic delivery.
This movie feels like an odyssey. We know Lucy wants and needs to go home, but she's thinking of ending things, so it seems as though "home" might be inevitable death (maybe the family farm is limbo. The characters are tackling demise, but maybe this screenplay is a quest to a higher knowledge of mortality. Every word is like a razor blade, creating a sense of uncertainty and unease. The background to this odyssey is like a labyrinth and everything surrounding Jake and Lucy seems like a facade.
I love how this movie was framed; it felt very claustrophobic, almost tactile and nauseating, as if the viewer is living out this nightmare through the eyes of Lucy.
The scenes with Jake's parents plays out like a nonlinear flip book of birth, life, death, human connection and cognitive experience. The consistent mentions of art and artists feels like a study in Ayn Rand's philosophy, like feeling is only known through superficial art.
I was scared for Lucy throughout, and thought Jake was scary, but nearing the end I felt scared for Jake, sensing his doom and melancholy. In the end there's a relieving acceptance and that is cathartic in a weird way. To sum up this movie: so weird but so wonderful.
This movie is like a long, beautiful bee sting. It's a thought-provoking movie with a unique, neurotic flair.

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